But honestly, there should have been more. What's here feels like a less developed version of what Neal Stephenson does in Snow Crash, what with the "the secret history of words is that they control reality" thing. In the case of Lexicon, Barry gives us a universe in which the art of persuasion can be wielded like a weapon--and is, by shadowy government spooks known as Poets. When one of them discovers a word that literally has the power to kill everyone in a small Australian town, it's up to a Last Good Man archetypal figure (here known as Eliot, as all Poets are codenamed for famous writers) to figure out how to stop the word from spreading any further.
It's a neat set-up, and Barry gives us infuriatingly short glimpses of this shadowy rhetorical world in which the Poets operate, but he's so intent on giving us good action scenes (and they are good) that I felt like the richer linguistic world got overlooked. I want to know more about this organization and what they do, but apparently hints and intimations are all Barry wants to give us. That's ok, it's just not as rich as it could have been. And when he gets into the history of "Babel events" and all that kind of stuff, I would have loved a little more complexity. Make me struggle to keep up, don't just tell me, "Yep, words can be really convincing." Because duh.
But still, Lexicon is fun. A bibliophile palate cleanser that would make a good action movie of the Philip K. Dick variety--the kind where you have to just let yourself go with the rules of the world and not think about how silly the premise actually is. In fact, I could see a pretty good role for Michael Fassbender as Eliot.
But I digress.
Good fun, overall. Just don't expect much more.
Grade: B+
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